There is exactly one line of dialog in this, and it kinda is totally true.
However, they all have the same problem I do.. the laptop scrunch. Let’s all agree to go back to multi-screen-iverse land and make our backs happy.
I curated a Chicago-artists-only compilation of innovative electronic music for my label, subVariant called “Frequencity. Read more about it and download it here. I’ve also contributed a track as Quantazelle. Enjoy!
TRACKLIST:
01. Beanbake: “A Bicycle In Your Mind” [Melodic Electronica]
02. Belmont and Clark: “Dark Compression” [Analogue Electro]
03. Ella Laurence: “aaaAH” [Acid]
04. [esc]APE: “Square Fingers” [Dark Electro]
05. Polyfuse: “Blood on the Urinal” [Electro Industrial]
06. Foe Paw: “Dos Otros” [Prog Rock]
07. XYZR_KX: “Home” [Folk IDM]
08. Mike Gonsior: “Reflections” [Downtempo Electronica]
09. Quantazelle: “Polychromatic Tomatoes” [Melodic Electronica]
10. Lokua: “Hue” [Minimal Techno]
11. Drasla: “Moonlight Somnambula” [Neo-Classical IDM]
12. Elock: “Ari on Acid” [Chiptune]
Like Ms. Sherman, my creative process involves being alone, thinking, devising, mentally-sketching, tweaking, re-tweaking, re-thinking; sharing for feedback, and then re-tweaking some more. It’s emblematic of the contemporary, technology-enabled artist, in a way. Creative types have so many resources available: so many mediums to muck around in, so many visual sandboxes (like Adobe CSx–Photoshop, Illustrator, Premier); audio playgrounds (like Reaktor, Ableton, FL Studio) and platforms for interdisciplinary / cross-medium work (like Max/MSP, etc).
…
When I applied to art colleges, I was so disheartened by the rampant insistence that I choose a medium. I didn’t like the feeling of being forced to create within an established “language” (medium) that could be critically evaluated (by critics who specialized in media). Then I found California Institute of the Arts, was accepted, and played and played and played and finally found my voice. A voice that was me, and not limited to choice of media, but one that used media to express the ideas I wanted to introduce to the world.
And that, I feel, is true contemporary artistry. Knowing that the clay of the world is yours to play with and yours to enjoy.
subVariant is planning to release a free-to-download collection called Frequencity featuring quality songs from regional musicians. All electronic music genres are welcome.
subVariant will also release an original t-shirt design in the theme of “Chicago Electronic Music” when the compilation is officially released.
Ready to submit? Read more and do it now!
The deadline for submissions is Thursday, June 2, 2011 at 8pm.
On June 4th, 2011 is the 4th Annual Experimental Garage Sale! This craft fair focuses on circuit bending and DIY musical instruments at the Experimental Sound Studio space with 12 sellers who will have plenty circuit bent devices, un-bent toys, electronic parts, kits, experimental instruments, contact microphones, guitar pedals, art, and more. The sale will begin rain or shine at 12:00 PM and last until 6:00 PM.
Here’s the Facebook Event page.
Here’s a cool mini-documentary on the Roland TB-303, by Nate Harrison, the same guy who did the Amen Break documentary.
via Michael O’Shea
Elmer Lynn Hauldren, aka “The Empire Carpet Guy” passed away this week, but he definitely left his mark on the advertising industry industry and affected generations of young people who had local-broadcast televisions running in their houses in the 80s / 90s. The ultimately-catchy jingle made Mr. Hauldren a celeb mainly because of his earnest delivery and the understated nature of them. “Empire” commercials weren’t cranked up beyond cheap speaker-potential for impact, for one, and it seemed like Hauldren was the owner, or at least a dedicated installer who loved his job.
Empire Man Original
Harlem Furniture
Peter Francis Geraci
Chicago gets a taste of the Montreal-based digital art and electronic music festival that showcases innovation in music and creativity on April 21-23 with Avant_Mutek: Chicago.
Founded in 2000, Mutek is an international festival organization dedicated to the promotion of electronic music and the digital arts. Its main event is an annual five-day event in Montreal, Canada that takes place in late May and early June. Many of electronic music’s most established figures have performed, as well as numerous new artists who have gone on to build sustainable careers. Along with performances, the festival also features workshops relating to gear and software showcases, and panel discussions concerning the issues that face electronic music and music production.
